To empower queer women towards greater involvement and presence in the community
Advocacy for LBTQ women's rights at CEDAW
Sayoni was at the United Nations in Geneva in October 2017 to bring Singapore LBTQ women's issues to the forefront. The CEDAW Committee heard our concerns and raised recommendations related to LBTQ women in their Concluding Observations for the Singapore government.
Sayoni is a Singapore-based feminist, volunteer-run organisation that works to uphold human rights protections for queer women, including lesbian, bisexual and transgender women. We organise and advocate for equality in well-being and dignity regardless of sexual orientation, gender identity/expression and sex characteristics.

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I watched I Can’t Think Straight with high hopes and anticipation. The trailer was certainly enticing, and so was the possibility of watching Lisa Ray (whom I was drooling over, since her role in Water) in some girl-on-girl action.


I have to say, I wasn’t too disappointed. I Can’t Think Straight is precisely the kind of movie we need more – the ones that involve non-white people and happy endings, the lead characters being an Arab Christian (*gasp*, yes they exist) and a Muslim Indian (born and bred in Britain). It can quite easily be called a cross between Imagine Me and You, and Runaway Bride, with a Bend it Like Beckham-ish flavour. The plot is entirely predictable to a fault, and nothing really surprises the average viewer. But I am not complaining, because for years, I’ve been complaining that we do not have enough happy ending gay movies.

Lisa Ray and Sheetal Sheth are reasonably good actresses – though there are no Oscar-worthy moments, they are entirely believable in the chemistry between them. After all, one look from Lisa Ray’s smouldering green eyes could turn the straightest girl gay. The sex scenes between them are definitely hot – and as a plus, we get two of them!

The writing is average, and laugh-at-loud funny at many points – however, I am not sure whether it is due to the writing or direction, but at some times, the movie is just simply clunky. It might have something to do with the fact that this was a print-to-screen transference, where the fluidity of the script was lost on the cutting room floor.

Overall, the movie sends a very positive message. A friend of mine, while watching it, complained that there wasn’t enough character-development and building up of the chemistry, but I disagree. After all, it is TV. Harry and Sally didn’t spend months dating and talking before they got together (that we saw on TV), and neither did Ian and Maggie (they decided to get married after their first kiss, for god’s sake). The film does not win points for realism. In real life, the coming out to a Indian Muslim family, or an Arab Christian family for that matter, would be met by a hell of a lot more problems and backlash. But this is entirely fine in my opinion, because I am sure Harry and Sally did not live happily ever together anyway.

It is most definitely worth watching if you can get your hands on it.

We thank Regent Releasing for allowing us access to a screener of the movie for review purposes.


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